Tuesday, October 3, 2017

How’s the serenity? NOIRE singer and songwriter Jessica Mincher discusses the value of leaving the big smoke for the quiet country.


This piece is housed on the entertainment website Music Love - a platform for women, by women and about women in music.

   NOIRE. Image by Allyson Alapont

NOIRE. Image by Allyson Alapont

Jessica Mincher and Billy James quit their day jobs and moved out of their house in Surry Hills in inner city Sydney to a farm in Queensland near where they both grew up. Stepping away from the stress and the distractions of the city they were soon able to get back to making music. Fenella Henderson-Zuel spoke to Jessica in Switzerland about the indie pop duo known as NOIRE and their latest recording, Some Kind Of Blue.

noire
Images by Blair Gauld

“You know, time just goes by so quickly and you realise ‘Oh my god, I’ve been in Sydney for so long and I haven’t really done that much yet, I haven’t made as much music as I wanted to.’ There was a lot of indecision and not feeling productive. It makes you feel depressed all the time.”

            — JESSICA MINCHER, SINGER/SGONWRITER FOR INDIE POP DUO NOIRE

When we finally manage to connect our Skype call, Jessica Mincher is bitterly disappointed to discover that the video feature isn’t working. “I’m in Switzerland and I wanted to show you the view! It’s very beautiful.” The singer-songwriter is currently road-tripping through Europe with fellow musician and songwriter Billy James, the other half of Australian indie pop rock duo NOIRE.

“We started off in Paris and then went to Berlin, then we drove down to Nuremberg and somewhere else and now we’re in Switzerland!” Jessica tells me excitedly. “I think today we’re going to drive to Italy.”

The pair are taking a well-deserved break as they celebrate the release of their debut album, Some Kind Of Blue, and are enjoying the freedom of living without a schedule.

“We’re just so unplanned, so every day we’re like ‘where should we go today?’ It’s been awesome.”

Though writing songs is one of the most important things in her life “so far”, Jessica’s greatest love is film. Asked who were her main influences, rather than songwriters or musicians she nominated directors David Lynch and Jean-Luc Goddard.

Visits to the cinema are "theatrical and dramatic experiences", and her lifelong dream is to follow in the footsteps of one of NOIRE’s other inspirations, Australian singer/songwriter and composer Nick Cave, and write film scores.

She and Billy are currently working on music for a filmmaker friend but Jessica’s “absolute goal” is to create music for Lynch, Godard, Sofia Coppola and Wim Wenders. Their influence is clear in deeply atmospheric NOIRE tracks like Real Cool and He’s My Baby.

 “I think with our music it’s about creating an atmosphere more than what’s being said. When I’m writing I always think about visually, ‘How would this sound?’ Movies are really good in that way.”

While this European trip and the impending release of the debut album is exciting, the past two years have been tough for NOIRE.

After moving to Sydney from Gympie in regional Queensland five years ago, the pair were soon profiled on triple j unearthed but found it difficult to sustain a music career. “We released an EP but weren’t really getting anywhere. We were just working [in other jobs] and Sydney’s so expensive. Then we’d have shows on the weekend.”

noire

Unable to afford to focus on their music and support themselves in Sydney, Jessica confesses that the band became disillusioned with the life of a city-based artist.

“You know, time just goes by so quickly and you realise ‘Oh my god, I’ve been in Sydney for so long and I haven’t really done that much yet, I haven’t made as much music as I wanted to.’ There was a lot of indecision and not feeling productive. It makes you feel depressed all the time.”

It soon became clear that if NOIRE were to survive and thrive, there was only one thing to do. Says Jessica, “Once we’d made that decision it was fairly quick.”

She and Billy quit their day jobs and moved out of their house in Surry Hills to a farm in Queensland near where they both grew up. Stepping away from the stress and the distractions of the city they were soon able to get back to making music.

“It was a really good decision for us,” Jessica asserts. “We just went away for two months and decided to write an album. We were like, ‘we just need to get a full body of work together’.”

That body of work became Some Kind Of Blue, released last Friday. After putting the creation of the album aside for so long the pair felt a need to complete the work as quickly as possible and exorcise their city demons.

Taking a cue from Nick Cave, Jessica and Billy treated the creation of the album like a full-time job. Setting a strict timetable forced them to spend time on the album each day in an effort to put their difficult time in Sydney behind them as quickly as possible and produce their first major work.

“It’s just amazing to have it finally come out. We were more concerned about getting it done, rather than the end product, I think. We just needed to get something finished so we can move on.”

The album’s title perfectly captures both the struggles of the past and the musical influences captured within.
“We went through a really rough couple of years and I thought writing this would kind of focus on what happened but it ended up not even dealing with what was making us so sad,” Jessica explains. “We had this song called Some Kind Of Blue and it was referencing that Miles Davis album [Kind Of Blue]. And the lyric was ‘I’m all Miles Davis in some kind of blue’ and I really just loved those words.”

As is often the case, Some Kind Of Blue didn’t turn out exactly as expected but it still managed to have the desired effect.

“It was meant to be about a darker time and I think, even though we didn’t end up dealing with it, it was like the healing of it. [The album] turned out a lot more happy and positive than I thought it would,” she says while laughing.

The pair now feel far more comfortable with their abilities and the possibilities for the future, having proven to themselves that they can create music they believe in when they set their minds to it. And Some Kind Of Blue is only the beginning.

“I think we’ve still got a lot to write and I would like to have another album out in maybe six months, that’d be amazing. Whether that happens or not, I think it’s a lot easier now that we’ve gotten over that first hurdle. I feel a bit more confident in writing songs now as well and I feel a bit better that I’ve been able to produce something. It has gotten a lot easier to keep writing.”

Thursday, September 14, 2017

Aleyce Simmonds encourages aspiring artists to remember its “100% OK to be your own person. To run your own race and not to compromise on that for anyone.”

 This piece is housed on the entertainment website Music Love – a platform for women, by women and about women in music.

Aleyce Simmonds has the sort of success story which inspires young performers everywhere. During her 11 years in the music industry she has distinguished herself as both a singer and songwriter in the thriving Australian country music scene, earning multiple Golden Guitar awards for her quintessentially personal work. Yet it is her status as a completely independent artist which has arguably defined her career and made her an inspiration for young women trying to make a name for themselves by pursuing their dreams. By her own admission it was not Aleyce’s choice initially to go it alone, as she first secured a major record deal with industry giant Sony Music. But it was the severance of that deal which forced Aleyce to utilise the sort of personal determination which has come to define her life as a wholly independent artist. 

“I had to learn fairly quickly how to do everything myself [after I] lost my manager and booking agent. Now I don’t think I could ever be anything other than Independent. I’m too Independent! I absolutely love being able to have all creative control and send the messages that I 100% want to send out. I also love not having to rely on others.” 

Aleyce was rewarded for her persistence, not to mention her remarkable talent, when she was named the Australian Independent Artist of the Year in 2015 before being awarded the APRA Country Work of the Year Award earlier this year for her song Greatest Companion, inspired by her on-air work with radio presenter Luke Bona. The track was lifted from the Bonus Edition of Aleyce’s second album Believe, available now. 

Having to orchestrate her own career has made the 30 year old particularly passionate when it comes to supporting new talent, particularly young female country performers like herself. Emerging artists like Tori Forsyth, who supported Aleyce on her recent tour, have benefited from her support and guidance. 

Music has often been seen as a creative way to bear one’s soul and that has certainly been the case for Aleyce, who has become known for her incredibly personal lyrics. This is perhaps most evident with her standout and heartfelt 2016 single Defeated, which was inspired by her own experiences with domestic violence. The raw emotion displayed in the song was evident throughout her third album, More Than Meets The Eye. The album resonated deeply with audiences who pushed it to #25 on the Australian Album Chart. Aleyce used the attention the album and particularly its single created to raise awareness for others with similar experiences. $5 from every pre-order sale of the album was donated to the Tamworth Family Support Service, of which Aleyce is an ambassador. 

Aleyce opened up to Music Love about her growing success as an independent artist, laying herself bare through her lyrics and her passion to help others achieve their dreams. 

“As you can probably tell, I’m a pretty honest person. (And that gets me into trouble a lot!) I always wonder before putting a song out, whether I’m brave enough to expose these pieces of me. It sometimes frightens the hell out of me. But – if I’ve experienced or felt something, then so have other people out there and maybe my little song can help even one person to feel less alone.”

-           

-          ALEYCE SIMMONDS, SINGER/SONGWRITER, ON HER SINGLE ‘DEFEATED’

 

Aleyce Simmonds on what music means to her

Music comes second only to my family. It consumes my thoughts most of the time and it moves me (when it’s good!!) in a way that nothing else does. 

On her APRA Country Work of The Year Award, an impressive feat for a wholly independent female artist

“I just got teary thinking about how I felt that night. I didn’t think I would have won that award in a million years. When I did, I just sat there until my mum shoved me to let me know that it was in fact my name that they read out. I’ve worked so hard for so long and made so many sacrifices and it almost felt like the slate was clean and everything was suddenly worth it.” 

On the support she needs to succeed as an independent artist

“We really do [need support]. More so than signed artists, really. It’s a really hard slog out there and when you’re 100% funding it yourself too, it near breaks you at times. My family have backed me from the beginning. Despite the occasional pleas for me to get a ‘real job’ to make life easier, I know that they would tell me that I had no choice but to keep going if I told them I was giving up. My closest friends of course also and Checked Label Services who have put my music in stores since my first album.” 

On her vocal suppoer for emerging artists including Tori Forsyth

I’m so, so passionate about Australian Country Music and about Tamworth, country music capital. I can absolutely, whole-heartedly say that I have and will do anything I can to support and build our industry and get our great artists out there. When I heard Tori for the first time, I knew that I had to help her. She would have been heard eventually by the right people and was always going to be a star. But she had such an impact upon me that I needed for the world to experience the same thing. IMMEDIATELY!! 

On becoming an ambassador for Tamworth Family Support Service

I was asked to be the ambassador and I was absolutely honoured. I was doing a bit of work in the community for under privileged families, cooking for them and things (which my family always thought was so funny because I couldn’t afford to feed myself half the time…) and it was just coincidental timing to be asked to be the ambassador I guess. The organisation does such amazing work in the community. 

On what more than a decade in the music industry has taught her about herself and being an artist

It’s taught me that I’m the most stubborn person I know, slightly idiotic… haha. But most of all, it’s taught me that you can achieve anything if you work harder than you thought possible and that you need to be strong-willed and thick skinned to be an artist. 

On her favourite women in music and what she’s learnt from them

Lyn Bowtell is one of the first singer/songwriters that I truly fell in love with. I heard her for the first time and felt my chest cave in. And then, I got to know her heart and then her music hurt my chest (in the best, best, best way) even more so. I guess she taught me that you can be a technically good singer and have people like listening to you (I was classically trained) but once you put your heart and honesty into your music, you can affect people in the most deep, incredible, life-changing way.

And, Tori Forsyth. It’s no secret to anyone that I think Tori is hands down, the most talented singer/songwriter that I’ve ever heard but something that really inspires me is her work ethic and determination. She was pushed down a lot as a kid and told she wouldn’t amount to anything because school wasn’t her thing, etc. But she kept on pushing on, believing in herself until she found the place that she belonged. And now – she owns that place and is going to put all those others in their places!!! It actually brings on automatic tears when I think about it. I can’t wait for you all to hear her debut album. That thought brings on the tears too. Tori reminds me every day that it’s 100% OK to be your own person. To run your own race and not to compromise on that for anyone.